If you grew up in the 1970s or 1980s, there’s a good chance you’re familiar with his work, even though you may not know his name and have never seen his face. You’ve probably doodled or sketched the characters he made famous, or maybe had their likeness on your pillowcases. The toys you grew up playing with were based on the characters he had a part in bringing to life.
His name is Tom Cook. No? Doesn’t ring a bell?
Tom animated and directed some of the most incredibly popular animated cartoons of the 1970s and 1980s. His work includes everything from “He-Man” and “She-Ra” to “Brave Starr” and “Ghostbusters.” Now retired, Cook was a recent media guest at Pittsburgh’s “Steel-City Con,” where he was welcomed by thousands of happy fans, excited to finally put a face to the name they saw on every closing credit of their youthful Saturdays and weekday afternoons.
Cook was a bus driver, content with his job, before he became an animator. He saw an ad for a college art course at a local school and thought he would like to expand his talent for sketching into something a little more substantial. In a short time, the teacher told him that they were looking for animation assistants for cartoons that were being developed for network television. Cook kept his bus route, but decided to take the step of faith into following his passion, or at least an attempt to test the waters.
Cook’s first animated sample was “The Flintstones.” Prior to his career change, he would draw Fred Flintstone from different angles, seeing how the positioning and movement would look. He began familiarizing himself with how muscles and bone structure can look by studying the work of Jack Kirby and the characters created by Stan Lee in various comic books. He saw that animating could show a level of human realism and still work as a cartoon-type of character.
Because he wanted to be a full-time animator and work as much as possible, he went to Filmation Studios, which supplied us with his most well-known years of work. He did the animation for “Fat Albert and the Cosby Kids” and “Heathcliff,” as well as most of the Saturday Morning cartoons that were popular in the 1970s and 1980s. He says the most difficult to animate was “The Smurfs,” because there were so many of them in every scene. “It’s not that I disliked them,” he said, “you just always had to draw so many.”
Cook worked on movies, like “The Cunning Little Vixen” and the “Roger Rabbit Short: Tummy Trouble,” which was associated with the movie, “Who Framed Roger Rabbit.” He says his favorite character to animate was always “Thundarr the Barbarian,” which aired on both, NBC and ABC. Cook enjoyed the realistic look and movement of the character.
Cook has made appearances at conventions all across the country, sometimes appearing with the actors who gave voices to the characters he animated. Although he misses 2-dimensional animation, when it made way for the digital animation we see today, Cook was able to transition smoothly, because he was familiar with computer animation programs and was able to help in the training of other artists and animators.
“Many of the animators,” Cook said, “ignored the change and went from making more than $100K a year to having to take jobs as security guards because they were unable to learn to adapt.”
Since retiring, he began playing drums for a worship team at his local church and got married. His wife knew he was an artist, but wasn’t married to him during the time he was animating. She was surprised when she attended a convention with him recently and a fan came up to tell him he was a legend. He has since used that to his advantage with her in saying, “Legends shouldn’t have to take out the garbage around the house.”