The Reading Theater in San Diego is steeped in history and beauty. When the sun hits the marquee just right, the colors change and its nearly like a transposition of seasons instead of a sunset. During San Diego Comic-Con, it’s hard to notice this as you are hustling by trying to get to your next panel destination, but while we stood in line for the “X-Men: Days of Future Past – Rogue Cut” for what will be its only cinematic airing, I noticed the marquee and realized I was in for something unique.
We were there with the initial intent of covering the release as press, so we were first in the door and quickly nestled on the back row of theater 8 with a popcorn and a Coke, waiting beside other photographers with valuable camera equipment they were using as pillows after a long day of convention walking. Other members of our media line were simply hoping to catch a glimpse of director, Bryan Singer and see what he had to say about the film’s purpose, since it was a simple 15 minutes of added story.
For me, this was a chance to see the movie in a different light, much like the marquee in front of the theater.
Singer came in to a standing ovation. Rightly so, he created a masterpiece with this film. 20th Century Fox has done something extraordinary with this classic Marvel Comics tale. Singer said, for him, it was a chance to show how just a few changes in perception, camera angles and added minutes could greatly alter a film. It gave editors a chance to replace some clips they loved and the audience to see Anna Paquin’s beloved character, Rogue in a very heroic, yet distressed, volatile and somewhat tired state.
For most of the movie, there aren’t any changes and shouldn’t be, but the changes you’ll notice come late in the film. Not giving anything away, Rogue is needed. Her powers of soaking in the power of other mutants is the only thing that can serve the X-Men on their quest to “fix” the past. This cut gives us a chance to see more of Patrick Stewart’s Professor X character and Ian McKellen’s Magneto in action sequences that are amazing. The dynamic of the movie is changed without hurting the original intent.
For true fans of the film, it is worth the X-tra purchase. There are tons of bonus features and the blu-ray makes your purchase a good one. We were fortunate to get it early from the Fox booth at Comic-Con, but you can pick it up anywhere today. If you’re a casual fan, you may not be impressed enough with the changes to spend the money on this, however, you’re probably not reading a review of the Rogue Cut if you’re a casual fan.
As we left the theater, it was dark and the street lights and night life had replaced the convention goers from earlier. The marquee was bright, but the light only blended with other bright lights, blue and red police lights, and headlights from traffic as they waited for mass crowds to cross the street. The theater’s ominous presence faded into the background of an evening of animated reality.