PopCult Rudy Panucci on Pop Culture

NAR log 002RFCv3#23

Just like last week, Radio Free Charleston on New Appalachian Radio will transport you back more than 25 years to our four-hour local extravaganza. It was early in January, 1990, right after RFC had been the subject of a profile in the Charleston Gazette written by Michael Lipton that I decided to devote all four hours of the show that was then broadcast on 96.1 FM, to local artists.

In light of events of last week, part two of our re-presentation of the four-hour local extravaganza from Radio Free Charleston’s January 7, 1990 broadcast show has taken on a bit of a bittersweet tone. You will hear two songs by The Swivels, featuring my friend, the late Tommy Medvick on drums. You may hear these tunes again next week, when we will devote the entire two-hour show to the music of Tommy Spear, and pay tribute to his memory.

You can listen to Radio Free Charleston’s streaming radio incarnation at 10 AM and 10 PM on Tuesdays (and again at midnight Thursday) at New Appalachian Radio, part of Voices of Appalachia. If you miss it, check our the archives for previously-aired shows. You can also listen to Radio Free Charleston Saturday at Midnight. Saturday, RFC airs for six hours, starting at midnight.

In last week’s show you heard blocks of music from Brian Diller and The Ride, Three Bodies, Zone 3, The Bounty and more, plus we had a mini-history of Go Van Gogh as of 1990. This week brings you music from World Without Fear, Blue Million, Delta Hum The Swivels and more, plus we play side one of the first Stark Raven album.

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Monday Morning Art: Audience Exodus

Audience Exodus 002

This week we’re kicking off with art that I created for last week’s PopCulteer. I slapped together a few pre-existing elements, some from clip-art I’d licensed, and to illustrate my screed about our lack of audience here in West Virginia. A few hours after I posted that piece, I grew a bit proud of my humble little artwork and posted it on Facebook.

Over seventy people liked it. So I decided to not only make it this week’s Monday Morning Art, but to also revive a tradition that I’d abandoned over six years ago. If you would like to purchase this image on stickers, posters, t-shirts or a variety of other overpriced products, you can find that sort of thing at The Monday Morning Art Store, updated for the first time since 2008! So go nuts, folks, and click the image to see it bigger. Come back to PopCult later Monday for a special new episode of Radio Free Charleston.

Sunday Evening Videos: The Aquabats Super Vlog

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The Aquabats, one of PopCult’s favorite bands, have started a weekly Vlog (that’s a video blog, for those of you who haven’t been paying attention). Here’s the first two installments…

You can subscribe so that you don’t miss any new episodes. The button can be found right there on the screen while you’re watching. If enough folks subscribe, The Aquabats will make a video for a new song and debut it on their Vlog. With a tour going on, this new vlog, and several hints that The Aquabats Super Show is returning via Netflix sometime in the near future, this is a great time to be a fan.

RFC Flashback: Episode 13

This week we take you back to 2007, via 2010. Radio Free Charleston’s 13th episode, “World Without Fear Shirt” was sort of unlucky. It had great music and animation in it, but the episode was lost in a hard drive crash and couldn’t be recovered from back-up discs. In 2010, I discovered a file that contained all the elements of the show and was able to reconstruct it with a new introduction. This show feaures Martyranny’s Collective Pulse, The Concept and animation and a short film from Frank Panucci.

The main reason for the new intro was to explain what had happened, but also to correct the horrible mispronounciation of Martyranny’s Collective Pulse, which I butchered throughout the original episode. “Marty-Ranny” remains to this day the worst botched intro in the history of Radio Free Charleston.

You can read the original production notes here, and the reassembled notes here.

Where All The People At?

wv drain 002The PopCulteer
April 10, 2015

Apologies to my regular PopCult readers. Yesterday we didn’t post a PopCult Bookshelf. The truth is, I was so stunned and shocked at the passing of my friend Tom Medvick that I simply didn’t have it in me to sit down and write anything else.

Today we’re devoting the PopCulteer to one topic: Population density, or the lack thereof in Charleston and in West Virginia.

Our area has a thriving arts scene. We have more than our fair share of original art, music, theater, literary events and other cultural enrichments. However there is one thing that we have a desperate shortage of–audience.

This state is losing people. Folks are dying (or moving) to get out of the Mountain State. We’re not just losing people. We’re losing people who support the arts.

I’m beginning to wonder if we have enough people to go around to fill the auditoriums, venues, galleries, and bars where art and music happen. Recently, we’ve lost Community Music Live, the West Virginia Symphony Orchestra has drastically cut back on their performance schedule, and Kanawha Players is in the process of divesting themselves of their theater. Kanawha United Presbyterian even discontinued the Kanawha Forum series of lunchtime concerts.

The bar scene in town, which consists of our primary small venues for live, local original music, has suffered of late. If one bar has a show that draws a huge crowd, that usually means three or four other bars in town are playing host to tumbleweeds. For a variety of reasons, it seems fewer people are going out to bars to hear live music.

Quite simply, we have too much culture and not enough patrons of the arts.

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RIP Tom Medvick

Tommy
Tommy, photo by Jerry Fugate

I hate that I have to write this.

Tom Medvick, the drummer for The Swivels and The Feast of Stephen, and also known as “Tommy Spear,” passed away Wednesday. Tom was one of my best friends back in the days of the original Radio Free Charleston broadcasts. He and the band for which he then played drums, The Swivel Rockers, had an open invite to pop into the studio live and unannounced any time they wanted (which was after 2 AM, when we broadcast the show live). One of those nights Tommy launched into a spirited defense of radio, which you can hear a bit of right here…

The Fifth Segment, The Quarrel

The band did barge onto several episodes of the show and take over and we had a blast. It made for great radio and Tommy was always hilarious. I genuinely enjoyed the time I spent with Tommy and even though we didn’t stay in close contact in recent years, not a week has gone by when I haven’t thought of something he said or did and smiled or laughed about it. Tommy was one of those friends that you don’t need to see every day to keep them in your heart.

During the ten years that I was taking care of my ailing parents, I did manage to stay in contact with Tommy because his wife, Wendy, was the nurse in charge of my mother’s care plan. My heart goes out to Wendy. I can’t imagine what she’s going through now. This has been a major punch in the gut to me, and it has to be an incomprehensible loss for his family. Words are seriously failing me and feel like I’m not doing Tommy justice.

From what I’ve heard, Tommy slumped in his chair at work, unresponsive, and was dead on arrival at the hospital. It was sudden, unexpected and tragic. We will feel this loss for a long time.

Tommy at the Feast of Stephen reunion in May, 2007
Tommy at the Feast of Stephen reunion in May, 2007

The last time I saw Tommy was in 2007 when he reunited with his band, Feast of Stephen, to perform for Radio Free Charleston at LiveMix Studio. You can see the episode of the show that came out of that night at the end of this post. In addition to be a wonderful and funny human being, Tommy was also one of the most powerful drummers I’ve ever seen perform.

Tom Medvick was one of the best people I’ve known. He was always upbeat, positive and funny as hell. The world sucks more now that he’s gone.

Pour Some Vinyl Sugar On It

5652_Vinyl Idolz_Young Frankenstein_Igor_INThe PopCult Toybox

Back when your PopCulteer invaded The New York International Toy Fair last February, one of the toy lines that stuck out was Funko’s partnership with several UK-based designers and other international toy freaks, Vinyl Sugar. This project is birthing forth four new lines of collectible toys that should start showing up in stores this summer. Here’s a preview photo essay with a mix of publicity images and photos we shot ourselves:

Vinyl Idolz – What happens when the twisted minds over at Evil Corp get together with Vinyl Sugar? A mash-up of pop culture with a wicked British bent. Feast your covetous eyes on these new Vinyl Idolz. Tall, skinny and with a uniquely British cartoony style, confirmed licenses include “Back to the Future,” “Ghostbusters,” “The Walking Dead,” “Say Anything,” “Dodgeball,” “Napoleon Dynamite,” “Young Frankenstein,” “Seinfeld,”Shaun of the Dead,” “Hot Fuzz,” “Fast Times at Ridgemont High,” and “The Big Lebowski.”

Vinyl Idolz groups shot
Vinyl Idolz groups shot

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NAR log 003RFCv3#22

This week and next Radio Free Charleston on New Appalachian Radio will transport you back more than 25 years to our four-hour local extravaganza. It was early in January, 1990, right after RFC had been the subject of a profile in the Charleston Gazette written by Michael Lipton that I decided to devote all four hours of the show that was then broadcast on 96.1 FM, to local artists. Truth be told, the show actually ran almost five hours. Station management wasn’t listening to my show (nobody at the station ever did) so I could run long and have the DJ that followed me make up the time.

You will hear me cracking jokes and making remarks about the piece Michal wrote. A lot of folks thought that I was genuinely angry, when in fact I was thrilled with the press and was just milking it for laughs. So please, do not think that I was really upset with Michael Lipton. He’s always been great to me and I’ve always respected him. I was just only joking, really! You can already hear this show in the VOA Archives!

You can listen to Radio Free Charleston’s streaming radio incarnation at 10 AM and 10 PM on Tuesdays (and again at midnight Thursday) at New Appalachian Radio, part of Voices of Appalachia. If you miss it, check our the archives for previously-aired shows. You can also listen to Radio Free Charleston Saturday at Midnight. Saturday, RFC airs for six hours, starting at midnight.

This week and next, with a minimum amount of interruptions, we’re going to recreate that episode. I will leave in some commercials, and I might change the running order or leave out a few songs, but otherwise this is what the people heard between 2 AM and 6 AM on January 7, 1990. I’m going to keep the modern-day interruptions to a minimum.

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Speedsuit debuts on The RFC MINI SHOW

Image2This week we bring you two songs recorded at The Empty Glass on March 10, 2015 by a new band, Speedsuit. They’re so new they don’t even have a Facebook page yet. Speedsuit is Stephen Beckner, Thom Walker, Tim Dorsey and Dave Roberts. Steve is a mainstay of Radio Free Charleston who was featured on our broadcast radio show with his band, Go Van Gogh, and performed as a solo artist on our second video episode back in 2006.

A few weeks ago he was all over our first “Rock Family Tree” episode of the new streaming Radio Free Charleston show, which traced his career from The Meadowblasters to Go Van Gogh to The Nanker Phelge. Now he’s got a new band, just to make that show seem out-of-date. Joining Beckner is his Nanker Phelge drummer, Dave Roberts, plus Tim Dorsey and Thom Walker.

You will hear Beckner’s songs, “Riddle” (mis-identified as “One Half Loser, Second Half Winner” in the show) and “Why Don’t You Leave Me.” You will see more from Speedsuit in the next full-length episode of Radio Free Charleston when we get around to doing one.

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This week we are dipping back into the Dr. Sketchy’s well once again with our third straight week of artwork based on a photo from the most recent session featuring Jasmine Rose.  She did such a wonderful job and gave us so many great poses that you can probably expect to see more of her in the future. This is a digital oil painting and…it’s not finished. Your humble artist is a bit worn out and reserves the option to revisit this painting in the future and paint in that missing boot.

You should make it a point to check PopCult later Monday morning for the debut of a brand-new RFC MINI SHOW starring a brand-new band, Speedsuit, recorded at their debut performance a few weeks ago at The Empty Glass. This is Steve Beckner’s new project, so you know it’s going to be good.