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Sunday Evening Video: The Dickies Live in 2018

Tonight we bring you a fan-shot video of legendary punk pioneers, The Dickies, shot just a few months ago in Portland, Oregon. Recorded at Dante’s, by Jason Miller , this hour-long set features really good audio and great camerawork.  Normally I hate to post one-camera videos here, but Jason did a really great job.

The Dickies are the longest-lived Los Angeles punk band, having formed in 1977. They were the first LA punk band to appear on network television (in an episode of CPO Sharkey) and they also wrote and performed the theme song for the movie, Killer Klowns From Outer Space eleven years later. Often compared to The Ramones because of their strong sense of humor, The Dickies also made it a habit to tackle punk-rock covers of unexpected songs like “The Sounds of Silence,” “Nights In White Satin,” and the theme song from Gigantor.

They even survived a controversy last year over something horrid that Phillips said during The Warped Tour. People still don’t quite grasp the shock mentality of punk music or the whole point of The Dickies’ outrageous onstage act.

I’ve been a fan for more than a couple of decades, and it’s really cool to see the band still performing with their original singer and guitarist, Leonard Phillips and Stan Lee (a couple of dozen other musicians have passed through the band’s line-up over the years). It’s really remarkable when you consider that the original members must be well into their sixties by now, and that they just played a tour of the UK in June and July, and performed in Thousand Oaks, CA, just yesterday.

Get ready for some primo pop-punk fun, with The Dickies.

 

The RFC Flashback: Episode 150

From March, 2012 we present episode 150 of Radio Free Charleston. “Black Shirt” was a celebration of LiveMix Studio, our first production partner without whom Radio Free Charleston would not exist. LiveMix is long gone now, but in this episode, we revisited some of the incredible performances and speak with some of the musicians who helped make our first 150 episodes so special.

RFC Big Shot Brian Young, one of the owners of LiveMix, speaks extensively about recording some of the bands, while we also have comments from performers Raymond Wallace, Dave Roberts, Lee Harrah, Melanie Larch, and in archival footage, Tom Medvic and Dan Jordan of Feast of Stephen.

LiveMix Studio was shut down in late 2010 when it became the property of Sacred Heart Co-Cathedral, who decided they wanted to be more selective in the ways in which they serve the community. The building sat empty for years, but the memories of LiveMix remain and they are some killer memories.

Raymond Wallace (right) appeared on our fourth episode after having bottomed out physically and financially. A severe health crisis left him homeless and he hadn’t touched his guitars in months when we had him come in up at LiveMix.

Once the cameras started rolling, Raymond sprang to life and treated us to the Civil War era song, “Champaigne Charlie,” which remains one of the classiest looking videos we’ve had on the show.

Raymond is doing a bit better these days and in this episode we spoke to him about his LiveMix experience.  “Champaigne Charlie” was filmed by Brian Young and Rudy Panucci and edited by Frank Panucci.

RFC 100 was another milestone show and part of that was the debut of The Nanker Phelge (left), a sort of supergroup consisting of RFC favorites Stephen and Mark Beckner, Casi Null, and drummer Dave Roberts (Dave was also the drummer for Eva Elution on episode 100 and has since appeared with Trielement and is performing with Pepper Fandango.)

We were lucky enough to corner Dave in the alley behind the Empty Glass after a performance by Trielement and he spoke about what it was like to perform at LiveMix in The Nanker Phelge a band that made their public debut at LiveMix during FestivALL 2010, more than two months after we shot “I’m Coming Home,” RFC‘s first widescreen video.

Camera work on this video was by Brian Young, Melanie Larch, and Rudy Panucci, with direction and editing by Rudy Panucci.

Episode 26 was our “Back To School” episode, which was hosted by Brian Young’s daughter, Cadence. In the clips we’ve included here, you can see how she got the job.

Also from that show, we bring you the song, “The Good,” by Whistlepunk 2.0 (seen right), which was Spencer Elliot, Dan Jordan, and Brian Young, with the addition of Karen Allen, of Crazy Jane and solo fame.

Whistlepunk was originally a three-piece, and was the first musical guest on RFC‘s very first episode. This powerful song was shot by Melanie Larch and Rudy Panucci, with the video directed and edited by Rudy.

The recording was engineered by Brian Young, with the audio produced by Spencer Elliot and Brian Young.

Radio Free Charleston has always tried to present a wide range of musical genres from the Charleston music scene. Episode 19 saw our first heavy metal band, Ghosts of Now (left), with their song “Deathburn”.

While Ghosts of Now went their separate ways after a couple of years, Lee Harrah, the lead singer has become a valued member of our production team and has appeared on the show with WATT4, as Ozzy Osborne, and in his current band, HARRAH, which also includes Ghosts of Now drummer Eric Seckman.

Roadblock, the bass player from Ghosts of Now, has also been a very good friend to the show, providing some incredible sound mixes and hooking me up with many new bands, as well as anchoring the bass position with Luna Park.

Camera on “Deathburn” was by Brian Young, Rudy Panucci, and at least one other person whose name cannot be recalled at the moment. The audio mix and video direction were by Rudy Panucci, with the audio recording and engineering being done by Brian Young.

“Ave Maria”, sung by Melanie Larch (right), is one of the LiveMix Studio classic memories.

Recorded on December 6, 2006, with camera by Brian Young and Rudy Panucci, Radio Free Charleston‘s Resident Diva Melanie Larch knocked it out of the park in one take with this beautiful rendition of Gounod’s classic musical prayer.

One of the happy accidents with this video was that being on the fifth floor of the fire escape at the back of LiveMix Studio provided us with an amazing natural reverb. Essentially seven stories of fire escape reverberations echoing in an alley gave us a sound more reverent than any cathederal in town.

This video was directed and edited by Rudy Panucci, with sound engineering by Brian Young and audio tweaking by Frank Panucci and Rudy Panucci to reduce wind noise.

The Feast of Stephen (left)  had episode 23 of the show all to themselves and I included two songs from that show here. I did that not just because it was one of the most amazing nights in the history of the show, but also because it shows off so much of the character and awesomeness of LiveMix Studio.

The Feast of Stephen hadn’t performed in fourteen years and the band members had scattered to the winds, but they came back together for an amazing two night reunion (the first night was a rehearsal and was not filmed.) It was a magic night, bringing Bob Miller, John Radcliff, Joe Vallina, Dan Jordan and Tommy Medvick back together for the first time in way more than a decade.

Sound recording for the night was by Brian Young, with the production and mixing by Rudy Panucci. Camera work was by Jerry Fugate, Brian Young, and Rudy Panucci, with direction and editing by Rudy. This is particularly bittersweet to watch now. Since this show was originally compiled in 2012 we have lost both Tommy Medvick and Jerry Fugate.

You want to be sure to stick around after the end credits, because we have a special treat: a previously unseen performance from LiveMix Studio with Sasha Colette, performing “Wayfaring Stranger”, accompanied by John Lilly and Jonathan Wood (seen right).

Special thanks to Adam Harris for granting us access to this video, captured by Brian Young’s remote control camera and re-mastered and edited by Rudy Panucci.

Rather than just link to the original production notes, I basically copied and pasted them here, then went through and updated them.  This was our first show after a nearly three-month hiatus, and it’s good to remember that Radio Free Charleston can take time off, and still return, as brilliantly obscure as always.